It is an old craft skill which traditionally has many trade secrets extensively used in decorative calligraphy. These notes are an introductory guide to modern practice and are no substitute for professional training.

1) PREPARATION (n.b. the gold will repeat the texture of the prepared surface.)

RAW WOOD - Sand smooth, apply a coat of sealer, sand once more lightly. For a smooth finish gesso can be applied to the sanded wood, sand between coats with a very fine grade sandpaper.

GLASS & VINYL - Make sure surfaces are free of dust, grit and oil based residue. Wipe over with methylated spirits.

PLASTER & TERRA-COTTA - Seal with two coats of sealer after thoroughly cleaning with either detergent and water or meths.

PREVIOUSLY PAINTED OR VARNISHED OBJECTS - A general clean and light sanding will suffice unless the paint is thick, uneven, or chipped. In this case the piece should be thoroughly stripped, then sealed.

After preparing the surface apply one or two coats of bole, ( traditionally used to create the ‘eggshell’ paint applied beneath the gilded surface), or for modern gilding acrylic paint acts as a satisfactory basecoat.

Dilute the acrylic paint slightly with a matt medium so that the finish is less shiny, and ready to receive the size and leaf that will be applied .

4) APPLYING LEAF - the tricky bit - Gold coloured leaf is available in genuine gold and imitation leaf, the genuine leaf will be richer in colour and finish, different coloured metal leaves are also available. Leaf also comes loose or as transfer, (attached to tissue paper), making it easier to apply. Loose leaf requires special tools and skills therefore we advise that you start with transfer. Wear cotton gloves when handling to avoid tarnishing when working with silver or imitation gold, or rub talcum powder on your hands.